Reflections on Guy Fawkes Night

The nights are drawing in & the season for pyrotechnics has begun across Britain. Starting with Halloween, it gathers pace, culminating with a bang at the New Year. Revered highly by the ancient Greeks & worshipped by the Zoroastrians fire has fascinated man since the dawn of time. The old traditions of history, like the Hindu wedding ceremony & the Olympic torch, all depict a harmonious relation between fire & music. So as I wander throughout London, I can just imagine the City’s historical grandeur consisting of gaslights, architecture & beautiful music – perhaps some of the finest works ever created.

European classical music has been created to grip, captivate & provoke thought. Could the creative purity remain unadulterated, not confined to today’s chart topping convention! Today’s instrument definitions have changed whilst fire remains constant. The contrast intrigues me. Classical music is deceptively simple in execution & creation, despite the complexities of the stories & human emotions conveyed. With our shorter attention spans, craving more extravagant visual displays, is our aesthetic appreciation rising at the expense of our musical concentration?

London fireworks
London fireworks – courtesy: Timeout

Is our changing perception evolutionary or revolutionary? Was there an event that tipped the balance to make us resonate more with transverse light than with longitudinal sound waves? Is the trend reversible? If so then what would the catalyst be? Only a few days after Guy Fawkes Night, I leave you with these thought provoking questions. Meanwhile, I am hoping for a new, more fulfilling sound leading into 2016.

Have a melodious week ahead, from everyone at AMH Tuning Pianos.

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