On one of my regular Piano Tuning gigs, I passed through the barriers at what is now known as Kings Cross International. Nothing much unusual about this journey, since I use the station routinely.
However, in my day-to-day coverage across London, it does not even occur to me that close to the Disabled Access Point, our favourite friends Harry Potter, Ron and Hermione had boarded the Hogwarts Express. From the station’s interior, right along Euston Road, the magnificent Victorian infrustructure has many sights to admire, and includes plenty of locations where the various films have been shot. This is also the location where J.K. Rowling’s parents had first met.
Strangers walked past me, carrying goodies and even wearing hoodies, from the Harry Potter Shop, and I did wonder, if only for a moment, as to what it might have been like servicing instruments in the magic kingdom. No people! I am not talking about Harry Potter World, which you can actually get to from Kings Cross on the train. I meant all the places where the film locations exist, such as the real Diagon Alley near Temple, or the iconic Craven Street: the street that inspired Charles Dickens’s A Christmas Carol (Cannon Street, or even the walk from the Lambeth Bridge to the Westminster Underground. Bringing the gift of music to so many, even for a brief moment, seemed full of mystery and intrigue, and who knew that London allows you so many chances to even go on a little treasure hunt without putting your hand in your pocket.
Now that the day of the London Marathon is approaching, it occurs to me, whether or not, I might be able to do a treasure run, whereby I could enjoy a popular trail whilst getting fit and ready at the same time. Where should I start? I mean, what would be the safest, most interesting route from, say Greenwich, which ends at the famous Sherlock Holmes Pub? Please let me know your ideas in the comments.
Training for the upcoming London Marathon is not easy! In spite of having already run a considerable amount, just packing in the miles, as any experienced runner would tell you, is simply not enough. There is a range of factors requiring constant ongoing attention; overall fitness, diet, rest and sleep and even the right kind of shoes and sensible clothing depending on the weather. Then again, did I forget to mention AMH Pianos, and the wide area that we cover on a fulltime basis?
Yes it is a gruelling often draining regime from start to finish, literally. Even a standard practice run, lasting a few miles, is able to burn up thousands of calories – thousands more than normal. So why do it? Why should one such as myself pay good money and spend months, training for an event that was first commemorated to honour the sacrifice of a lone Greek soldier who ran a distance of 26 miles to inform the Athenians about an impending Persian attack close to the port city of Marathon? Why endure physical hardship when, at the same time, tuning and moving pianos presents me with physical exertion in the first place?
With over 36, 000 runners participating each year, everyone has their own reason. Some do it for charity whilst others take it upon themselves to prove to their peers and loved ones their own unique abilities. Even more astonishingly, a sizeable group of people do it for a living, hoping to emulate national and international milestones. My sole reason: Metro Blind Sport, a charity of usually understated importance that is battling on perhaps a vital issue blighting the disabled community as a whole: physical fitness. Many people may or may not realise that a blind or partially sighted person may be limited in their overall mobility, which in turn affects their social wellbeing, quality of life and even mental health. Exposing myself and other blind and partially sighted people to a world of physical fitness and adaptive sports is the sole aim of this small London based charity.
As promised I will continue to keep my readers posted on the progress of my training, meanwhile I would appeal to my readers to please donate generously to this wonderful
The New Year has been and gone; fireworks, after-parties, New Year’s resolutions and good wishes all around. In fact, we have probably broken our New Year’s resolutions long ago, and cheery Christmas music and tinsel have long been replaced by the usual chart toppers; the lights are now off amid what many people may describe as the most challenging month of the year. Sounds familiar? No, not quite yet.
Living in London, the Metropolitan capital of the World, is not even close to a dull affair. Just listen beneath the surface and you will notice that celebrations carry on and on. I feel extremely delighted about the fact that, no matter where I am in the City, the Christmas and New Year theme carries on throughout the month of January, meaning that there is a party to attend only a short train ride away.
When most of us are finished with the 12 days of Christmas the following day heralds the arrival of the Armenian, and Greek Orthodox Christmas, followed by the New Year’s celebration around the 14th of January. Fortunately therefore, the large Greek and Armenian communities in London pull out all the stops, culminating in extremely creative, melodic sounds coupled with some of the most iconic rhythms on the planet. You just need to listen.
The month of January also happens to be Black History Month. It is not only a time to remember, and make amends for, our shameful collective past, but also a time for musical education. Be it Caribbean Calypso, African Polyrhythms, various inclinations of Jazz and Soul, there is great music beyond the UK Top 40. Again, you just need to keep your ear out whilst walking the streets of our beautiful capital.
Finally towards the end of the month, we gather together to welcome in the Chinese New Year. This ancient rich culture has played an important role in astrology, ancient mythology, and of course, fascinating music with a completely different perspective to the West. This New Year’s Celebrations are truly a spectacle – one of increasing importance due to the cultural and socio-economic empowerment of China, along with a growing Chinese diaspora.
With so much going on, I do wonder why anybody, especially in London would have a reason to feel depressed just yet. There are great food, fabulous costumes and a colourful vibe on display, all with the opportunity to gain cultural insight and education. One just needs to get involved in the amazing London community and there will be plenty of events at which to give and receive the best wishes for the New Year. Last but not least, wherever you may be reading this, have a great 2016 from AMH Pianos.
It’s nearly Christmas and London has a buzzing feel. The streets are thronged with happy shoppers, excited kids and equally excited grown men masquerading as Santa Claus. Whilst each year a slew of new artists and albums are released, one can’t help but wonder why the same old Christmas pop music plays everywhere year after year, with countless remakes reaching the pinnacle of the UK Top 40 Musical Charts. Certainly the style of music has evolved over the last few decades, with the classically themed 1930’s Christmas tunes giving way to Jazz in the 1950’s, Swing and Big Band in the 1960’s, which led to Rock & Roll, finally culminating in Electronic Techno by the mid to late 80’s, & the X Factor in the last few years. A simple question: what next?
Whilst one cannot criticise shifting tastes and human expression, I feel somewhat aggrieved that the simple magical stylings, so rich in creativity appear largely absent from the Christmas soundscape as engrossed shoppers surround me with their shopping bags and festive mood. Whilst new and innovative styles of music, such as Rap, R & B, DubStep and Drum & Bass, make up our yearlong listening, why do they remain largely absent from our Christmas music? In particular, why have recording artists not been capitalising on this rather glaring omission?
Call me old-fashioned, or perhaps not quite down withit, but I was rather excited when in 2003, the Darkness released a brilliant Christmas tune that nearly made the Christmas Number One. I’m certainly not criticising any of the 80’s music either, since those artists did an amazing job back at the time that has stood the test of nearly three decades and is still going strong. I am just trying to make a simple observation about the perennial lack of new melodies and innovation around this festive season. Also, it feels like there is a dilution and loss of the wonderful values and traditions that make Christmas a time for peace, love and togetherness. These are the values that create a great society and wonderful people. Whilst the underlying Christian traditions behind Christmas have been largely replaced with our society’s overemphasis on commercialisation, is there a direct correlation between the simple creativity of the seasoned professional musicians and its replacement with ‘X Factor’ like instant gratification of novices craving 15 minutes of fame? Perhaps I love a good simple melody which despite its simplicity, oozes style, warmth and creativity, and can be easily spawned on a lovely grand piano.
Have you listened to a good Christmas tune lately? What are your favourite Christmas memories or music? Please share your views and opinions in the Comments and from everyone at AMH Piano Tuning have a great Christmas and very best wishes for the Holiday & for 2016.
I have been really busy over the last few weeks, setting up some running partners – guides to help with my training during the cold and wet build up to Christmas.
Fortunately I have found a couple of guides who will help me stay focussed over the next couple of months, and help me to build my overall fitness during this period.
I am really pleased to share that I’ve found a fitness instructor, who will be training with me after Christmas, and he has taken on the task to actually guide me throughout the Marathon.
It is really cool to have found such a guide, because he is happy to set me up with a full Marathon running plan, helping me at each stage of the journey.
Being a lazy runner, I will need someone like him to get the best out of my training, keep me injury free, and push things to the next level.
My hopes are to do a sub four hour run but I will have to work really hard to get there, and I will be adding to this blog to keep you all up to date with my progress so watch this space and keep tuned to AMH Pianos or my Twitter feed for updates. Wish me luck!
I am always fascinated by, and deeply interested in the history of places which I carry out my work of tuning pianos, restoration and repairs, and piano removals. I like to imagine what it might have been like back in time, as London which we know today developed from small villages or even a collection of properties. This is my favourite whistle stop historical account of Lewisham, a vibrant and important borough of London.
Lewisham began its humble Saxon beginnings as Oleofsa’s village. In 862 Lewisham was referred to as LIofshema Mearc, then as Lieuesham in 918 and as Levesham in the Doomsday Book In 1086. Abraham Colfe, Vicar of Lewisham (1610-1657), founded a grammar school, a primary school, and six almshouses for the inhabitants of Lewisham.
In 1816 Lewisham was described as a rural village on the banks of the Ravensbourne that could only be reached by a long coach ride. It’s hard to imagine anyone trying to cover the distance in a day without what TFL has provided us in terms of transportation these days.
In 1828 the Riverdale Mill was built and is the only one of the Ravensbourne mills still surviving today. The Riverdale Mill was initially a leather mill and then became a corn mill in the 18th century. The first railway through Lewisham, the North Kent Line to Dartford, opened in 1849 and the present Lewisham station opened in 1857. In 1897 the Lewisham Clock tower was built to celebrate the Diamond Jubilee of Queen Victoria in 1897.
The Lewisham Street Market started in 1906 Lewisham town centre was devastated by a flying bomb in 1944, but recovered by the 1950’s. In 1977 the Lewisham Shopping Centre was built and in 1994 the High Street in the town centre was pedestrianised allowing a traffic-free street market and an open space.
Lewisham’s rich history has fed into the vibrant diverse town centre that it is today. The area is bordered by Catford, Deptford, Greenwich and Hither Green. It is a busy shopping district with a good mix of chain and independent stores and Lewisham Shopping Centre, which is one of the biggest in South East London, and Lewisham Market. The market is open seven days a week with the Monday to Saturday market selling mainly fruit, vegetables, fresh cut flowers and a small range of non-perishable goods. The Sunday market is a general market selling non-perishable goods with up to 60 stalls. There is also an annual programme of themed markets, which include, French, Polish, International and a market made up of local traders.
On Lee High Road there is an eclectic mix of independent shops which include an Italian barbers, an accordion shop, a Polish shop and fancy dress shop. At the Ladywell end of Lewisham High Street a pet store, a selection of beauty and hair dressing businesses and a wide selection of specialist food stores can be found.
Lewisham Borough’s famous residents, past and present include Danny Baker (Broadcaster), Kate Bush (singer/song-writer), James Callaghan (Labour Prime Minister), Sir James Clark-Ross (polar explorer), Big Jim Connell (socialist), Ernest Dowson (poet), Alfred Titch Freeman (cricketer), Gabrielle (singer/song-writer), Sir Isaac Hayward (politician), Glenda Jackson MP (politician & actress), David Jones (painter & poet), Lawrence Llewelyn-Bowen (TV presenter), Spike Milligan (comedian & writer), Mica Paris (singer/song-writer), Sybil Pheonix MBE (community worker), Terry Waite (Archbishop’s Envoy), Max Wall (comedian) and Ian Wright (footballer), just to name a few. That seems to be a fairly illustrious, star studded list if I say so myself.
I really enjoy travelling throughout this part of the city, and sometimes wonder in hundreds of years time, how will people be living, and will there be pianos to tune.
Meanwhile, if you would like some attention for your piano here in 2015, please do not hesitate to get in touch.
It has been quite a journey for me, both personally and professionally, ever since I set up AMH Pianos. With my work gaining constant coverage across London, I have been profoundly affected by the multi-cultural surroundings, which seems to exhibit novel creative and social dimensions not found in Bristol and the West Country. I feel as if the vibes of the capital have moved me; shaped my ways of thinking as well as my perspective in life. I do wonder, what might have been, had I not made the bold move of taking the world on my own terms, in new surroundings. Certainly, whatever has become of me in the last few years, has been a substantial improvement.
With my birthday on the horizon, I reminisce about my own personal development. Ever since my relocation to Hammersmith in West London, I have had the pleasure of meeting so many unique, interesting individuals, from all walks of life. I not only am tasked with looking after their pianos, they are also my friends. Being in the capital, my offerings related to piano removals and full scale general repairs have allowed me exposure to an even greater array of instruments, in different surroundings. Constant exposure to all makes and models has ensured that I am able to provide a better tuning service with the passage of time.
In addition to what I know best, I have also learned the use of social media and have even gained quite a fan following. Blogging, training for the London Marathon, and being exposed to the arts, has without a doubt, filled in many of the building blocks that nowhere else in the country could. However, in the grand scheme of things, all this is merely the tip of the iceberg.
The greatest accomplishment for me, I feel, has been my personal development on the people skills front. Each time one of my customers provide me with praise and thanks, appreciating what I have done, I feel so much taller, yet humbled. For a new place to be favourable, it is not the environment or infrastructure, but rather the people who make up the community. Being blessed to be part of a cosmopolitan, multifaceted and creative mix, I come away each day learning not just something new, but often something so out of the box. This daily phenomena is sufficient to keep me grounded, since whenever I feel like I have learnt a great deal, I also find myself thinking that I have really not learnt anything at all. Still however, there is a long way to go before world domination.
I have thought about a really interesting mindset; let me try to explain. When I finished moving to London, and set up AMH Pianos, I found that people would call me, and ask if I am a Local Piano Tuner!
I have to ask them, "What actually makes a Local Piano Tuner?". I am Based in Hammersmith, and my working area is all across London – please check my Areas Covered Page to find out where I serve.
I think the Idea of a Local service is very undefined, and near impossible to actually qualify, for example:
Is there some kind of an invisible, “local area distinction”?! And if so, could someone please explain to a new London resident like me what these are, and why? I am aware of so many people with their crash pads in London, working in London during the week, and getting away for the weekend.
I am also aware of Piano Tuners, who don’t live in the city, but come and work in London for a couple of days, and then head back home, which happens to be outside the Greater London boundaries.
Can there be such a thing as a London wide Local Piano Tuning Service?
I believe that in the 21st century, we are all living in a "Global Village". Still however, if you were to operate more than five miles from one's home in London, you may not be considered local anymore.
I wonder, how far is the average commute in the City, and are these people looked at as being non Local at their place of work?
Scratching head trying to work out what the answer really is!! My own personal view is that to be truly considered local, anywhere, the key is to develop close ties with the area, community and activities within that area. Least of all, this would begain you respect from the people for your efforts
Please call on us: AMH Pianos- Local London wide Piano Related Services.
The nights are drawing in & the season for pyrotechnics has begun across Britain. Starting with Halloween, it gathers pace, culminating with a bang at the New Year. Revered highly by the ancient Greeks & worshipped by the Zoroastrians fire has fascinated man since the dawn of time. The old traditions of history, like the Hindu wedding ceremony & the Olympic torch, all depict a harmonious relation between fire & music. So as I wander throughout London, I can just imagine the City’s historical grandeur consisting of gaslights, architecture & beautiful music – perhaps some of the finest works ever created.
European classical music has been created to grip, captivate & provoke thought. Could the creative purity remain unadulterated, not confined to today’s chart topping convention! Today’s instrument definitions have changed whilst fire remains constant. The contrast intrigues me. Classical music is deceptively simple in execution & creation, despite the complexities of the stories & human emotions conveyed. With our shorter attention spans, craving more extravagant visual displays, is our aesthetic appreciation rising at the expense of our musical concentration?
Is our changing perception evolutionary or revolutionary? Was there an event that tipped the balance to make us resonate more with transverse light than with longitudinal sound waves? Is the trend reversible? If so then what would the catalyst be? Only a few days after Guy Fawkes Night, I leave you with these thought provoking questions. Meanwhile, I am hoping for a new, more fulfilling sound leading into 2016.
I trained for three years learning all aspects of Piano tuning and Piano Repairs, developing my skills to a very high standard. Only after rigorous training at the Royal National College (RNC) and after acquiring a Dip AEWVH did I started acquiring on the job experience, perfecting my skills and technique over many years.
The costs of piano tuning in London ranges from £50 up to £100. In spite of my highly competitive rates, I get customers who regularly try to haggle over the price with me when they call. Is it me, or would these same people argue over the costs of their cars being fixed at a high end dealership? “Will you give me a ten percent discount on your pricing?”, is what I regularly encounter at the time of bookings. I consequently try to laugh it off, saying: “Yes, you can have a discount, if you are willing to bring the piano to me for tuning.” . Sadly, the service users do not normally get the joke.
A piano tuning takes at least one hour, plus naturally there is the travel time and cost of getting to and from the clients home to consider. Travelling across London generally takes more than the time spent at the clients' home, all whilst transporting my tools and keeping these in good working order..
There are certain tradesmen, who charge a call out fee, before they start any job, and this is considered as standard practice. So why is the craft of a Piano tuner, not consider to be a highly skilled professional trade? Lots of people would attempt basic electrical work around the house themselves. And yet, how many would actually try to finely tune a concert grand piano? Or for that matter, how many could even attempt sound restoration and instrument servicing on an ordinary domestic upright piano?
Please take a look at my website to see the quality of work, and how professional a service we offer. You can expect nothing but the best, most affordable name in tuning and repairing pianos, and we can also offer removals of pianos in and around London.
I take great pride in my work. Therefore, an affordable and friendly service request for AMH Pianos will always aim to hit the right chord for your instrument, and indeed your pockets.